Describe how Louise Erdrich portrays politics in her novel, Love Medicine?

Love Medicine by Louise Erdrich tells
the stories of two Native American Chippewa families, the Kashpaws and the Lamartines.
The stories flow in the telling of the husbands and wives, the lovers, and the children
that they have.

Lulu Lamartine describes two "flavors" of
politics in the book: the tribal government and "Uncle Sam's" government—with no
distinction between the two. In "The Good Tears," she describes how the members of these
families do not fare well with politicians—often their lives are especially hard because
they are "Indians," not Americans. Specifically these "powers" decide who the land
belongs to, or not. Lulu's biggest problem is that the politics of
the tribal government are too closely tied to the white's man's government, particularly
in the person of Nector Kashpaw, a man that Lulu had loved when she was very
young.

After her husband Henry dies, Nector begins to visit
Lulu at night. Even though he is married, it continues for five years. Lulu bears Nector
a child—her youngest son. Lulu declares that the relationship might have gone on longer,
for she was content.

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But then the politician showed his true stripe, a
lily-white, and the love knot we had welded between us
unbent.

Lily-white may allude
to the flower symbolic of death—perhaps of their love? The love-knot is a pledge
"welded" between them: like liquid metals joined, seemingly strong enough to withstand
anything. But Nector "bends" their pledge because politics matter more than his love for
Lulu.

Prior to the fire, Lulu explains her hostility for
politics and the government of the whites. She feels the census, which is
said to be a help to "Indians," is only the government's way of
counting how many Indians need to be disposed of; and Lulu and Henry never worried about
"owning" their land. If one were precise about ownership—Lulu
felt—everything belonged to the Indians, as they had been around
first.

The furor begins one day when Lulu finds a legal
document—a "regulation," signing her land away—on her
doorstep.

It
was signed with Kashpaw's hand as representing the tribal government. In turn, that was
the red-apple court representing Uncle
Sam.

Nector has signed it,
and then shows up that night trying to tell Lulu it is meaningless, but she sets the
dogs on him.

I
was the blood that pounded in his temples. I was the knock of his heart. I was the
needle of desire. I worked my way through his body and sewed him up. Yet he was willing
to turn me from my
house.

Lulu refuses to
move—part of a race that had been moved so many times, also with countless politicians'
promises. When Henry's brother (Beverly) comes around and asks Lulu to marry him, she
agrees. She sees Nector in town and tells him—and his eyes are "hate
pits."

A love
so strong brews the same strength of
hate.

Lulu thinks he may
intend to kill her or Bev, but then thinks that maybe the threat
she saw means nothing...until the "tribal mob" reveals itself at the tribal council. Her
own people turn on her. Lulu recalls:

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Indian against Indian, that's how the
government's money offer made us
act.

Government Indians were
ordering others off their land to build a modern factory that would make beads, "plastic
war clubs" and tomahawks. Nector, the politician, tells Lulu she must move. The ex-lover
and "traitor" in Nector burns her house down, expecting her to be in
it.

For Lulu, politics seem stronger than love; whether
tribal or white, politics are no good for her or the Chippewa
people.