Seurat's major motivation in this painting was to
highlight his use of pointillism. The belief behind it was to suggest that the modern
setting is comprised of individual singularities that can merge with one another to form
a greater entity. In this case, Seurat's desire to represent the day in the park
combined with his experimental technique of pointillism, where standard brush strokes
were tossed way for the notion of singular dots. The arrangement of the dots as well as
his playing around with color makes one feel that they are seeing a portrait of the
people in the park. Yet, Seurat's real genius was to be able to suggest that just like
the individuals in the park that help compose the reality of the painting, each has an
individual identity that contributes to the larger understanding. The people in the
park are akin to the points that comprise them. In this idea, Seurat was able to link
up method and message into one stunningly powerful portrait. The use of small dots and
"optical unification" make for a vision whereby the individual is compelled to examine
both individual and specific components as well as the totalizing vision and examine
which is more meaningful on an aesthetic level, while simultaneously conceding that both
are needed for a full appreciation of the painting and what Seurat sought to do with
it.
Sunday, October 6, 2013
Discuss the intent in George Seurat "Sunday Afternoon on the Island of La Grande Jatte."
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