Then, as a
mother lays her sleeping child
Down tenderly, fearing it may
awake,
He set the jug down slowly at his feet
With trembling care,
knowing that most things break;
And only when assured that on firm
earth
It stood, as the uncertain lives of men
Assuredly did not, he
paced away,
And with his hand extended paused
again:
Edwin Arlington
Robinson's poem "Mr. Flood's Party" is a tribute to one man's experience of the fading
days of his life. In it Robinson constructs a complex metaphor around a simile that
compares a mother's sleeping child to Mr. Flood's jug of alcohol "that he had gone so
far to fill, ...." In the complex metaphor of which the child/jug simile is a part,
Robinson describes the uncertainty of life by comparing the jug to both the sleeping
child and life’s uncertainty.
In the stanza-length
metaphor, Mr. Flood set the jug down gently, as a mother would lay a sleeping child
down, fearfully lest it be disturbed. The mother is fearful lest the child awaken. Mr.
Flood is fearful lest the jug topple over on uneven ground; he is careful to see that it
is on "firm ground." The metaphor turns then from the sleeping child simile, which uses
the comparative “as,” to men's lives on firm ground. In a sweeping image, Robinson first
settles the jug on firm ground, then speaks of "uncertain lives of men" which are
"assuredly" not on firm ground:
readability="7">
assured that on firm earth
It stood, as
the uncertain lives of men
Assuredly did
not,
So the metaphor that the
child/jug simile is part of moves from a gentle comparison of the jug to a sleeping
child to a surprisingly bitter realization that includes the knowledge "that most things
break," including "the uncertain lives of men," especially those of the “phantom
salutations” from friends from “long ago.”
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