The first thing needed for understanding "Amnesia" is a
thorough understanding of the literary allusion to the Orson Wells film
Citizen Kane. A literary allusion is a reference to literature,
mythology, film, legend, historical moments or periods, famous individuals, etc., as a
means of developing a complex idea in one brief reference.
For
instance, if I say to you that my friend is a real Adam Sandler, you immediately conjure
up an understanding of what Sandler is like and apply that image to my friend. This
gives you a deeper understanding of what my friend is like than if I merely said, "Oh,
he's a funny guy, all right." Allusions develop a deeper understanding of a person,
event, place, or situation more clearly and more quickly than an ordinary remark can
do.
Citizen Kane is about a man whose life
changed when sent to live with another family in his childhood. He left important parts
of his early life behind. He ultimately became successful but psychologically tormented.
The end of the movie reveals that his inner torment stemmed from having left his snow
sled called Rosebud behind on that cold, snow-covered, snow-spilling winter day when he
was separated from his life and family--and Rosebud.
Applying this
summary of Citizen Kane to
"Amnesia,"
I
almost trust myself to know
when we're getting to that scene [in the
movie]—
call it the snow-scene in Citizen
Kane:
gives you an
understanding of the premise of and the implied metaphor for the poem: there was a great
moment of loss and separation in the life of the poetic speaker. [According to the norms
of poetry, the poetic speaker may or may not be the poet Rich.]
The
allusion is carried beyond this, though, and into the meaning of the title: "Amnesia."
The allusion draws on a visual scene from the film and speaks of the curtain of snow
that was falling over the boy who was being handed over to strangers while outdoors
playing in the snowfall with Rosebud:
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Becoming a man means leaving
someone,
or something—
still, why
must the snow-scene blot itself
out
the flakes come down so fast
so heavy, so
unrevealing
over the something that gets left
behind?
When the import of
the allusion is applied to the poem, you can understand that, in the poetic speaker's
memory, there is a falling shroud of veil covering the thing that was left behind. In
other words, the Rosebud of the speaker's life is veiled over, is blotted out, by
forgetfullness (amnesia) in the same way that the film scene is veiled over by falling
snow,
where
every flake of snow
is ... / its own burden, adding-
up, always
adding-up to the
cold blur of the
past
The interpretation of
"Amnesia," then, has two central parts. The first is that growing up involves a "simple
and pitiless ... / ... putting away of a childish thing"--a childish thing
metaphorically represented by the sled called Rosebud of the film
allusion.
The second part is that memory sends metaphorical
snow-flakes falling over the memory of "someone, or something" left behind. The question
is, "still, why / must the snow-scene blot" out "so unrevealingly" the memory of "the
something that gets left behind?". The metaphors of Citizen Kane
and Rosebud imply that the "someone, or something" left behind may be oneself or part of
oneself because oneself is what one loves most.